KONTRAKULTURNI KARAKTER JOVANOVSKOG HRIŠĆANSTVA
DOI:
https://doi.org/10.51738/Kpolisa2024.21.1r.1tKljučne reči:
Jovanovsko hrišćanstvo, kontrakultura, antropologija, teologija, religija, Novi Zavet, novozavetna naukaApstrakt
Radom se prezentuju retorički aspekti Jovanovske književnosti i pokazuje se kontrakulturni karakter zajednice koja ju je proizvela. Iako različitog žanra, sadržine i obima, Evanđelje, tri poslanice i Knjiga otkrivenja odišu istim kontrakulturnim mehanizmom. U cilju prepoznavanja ovog mehanizama na literarnom planu, u prvom delu rada se pokazuju impulsi kontrakulturne interakcije sa auditorijumima. Oni su označeni kao konfrontacija sa religijskim i političkim autoritetima. Nalazeći se u stalnom sukobu sa jevrejskom sinagogom i bogoprotivnim strukturama grčko-rimskog sveta, Jovanovska zajednica je izgradila sopstveni svet. Budući konstruisan u suprotnosti sa vladajućim društvenim strukturama i kulturnim praksama, ovaj svet se legitimiše kao kontrakulturni. Antropološki koncept žrtvenog jarca Renea Žirara služi uočavanju kontrakulturnog temelja Jovanovskog hrišćanstva, koji je sadržan u hristološkom simbolu jagnjeta. U drugom delu rada navedeni su primeri delovanja kontrakulturnog mehanizma i pokazani su načini na koje on preoblikuje kulturne prakse i društvene strukture. Jovanovski motivi ljubavi i žrtve pokazuju se ključnim u ovom procesu. Zaključkom su, konačno, diskutovani potencijali kontrakulturnog doprinosa Jovanovske književnosti hrišćanstvu i time savremenom društvu.
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